Product description
Dimensions: Height: 70.87 in (180 cm)Width: 23.63 in (60 cm)Depth: 1.58 in (4 cm)
Materials and Techniques: Bronze,Hardwood,Leather,Stainless Steel,Steel,Hand-Crafted
Place of Origin: Ecuador
Period: 2010-
Date of Manufacture: 2023
<a target="_blank" rel="nofollow noopener noreferrer" href="https://www.1stdibs.com/furniture/mirrors/floor-mirrors-full-length-mirrors/amf01-floor-mirror-solid-wood-bronze-details-andean/id-f_34679642/">https://www.1stdibs.com/furniture/mirrors/floor-mirrors-full-length-mirrors/amf01-floor-mirror-solid-wood-bronze-details-andean/id-f_34679642/</a>
Floor mirror made of steel rod frame and solid seike wood with a natural oil finish, laminated bronze or stainless steel base and hardware.
The first Perfidia collection, composed of 4 pieces of furniture, explores the mutualism between
artisan techniques and industrialized manufacturing methods. It is an investigation into
the relationship between crafts and automated processes that seeks to highlight the natural
characteristics of each method and material. The furniture has been developed through a dialogue
between the artisan and innovation, maintaining the inherence of the process and its manual
strokes. To paraphrase the Mexican writer Octavio Paz: “between the timeless time of the museum,
and the accelerated time of the machine, these pieces palpitate human time.”
Materials and Techniques: Bronze,Hardwood,Leather,Stainless Steel,Steel,Hand-Crafted
Place of Origin: Ecuador
Period: 2010-
Date of Manufacture: 2023
<a target="_blank" rel="nofollow noopener noreferrer" href="https://www.1stdibs.com/furniture/mirrors/floor-mirrors-full-length-mirrors/amf01-floor-mirror-solid-wood-bronze-details-andean/id-f_34679642/">https://www.1stdibs.com/furniture/mirrors/floor-mirrors-full-length-mirrors/amf01-floor-mirror-solid-wood-bronze-details-andean/id-f_34679642/</a>
Floor mirror made of steel rod frame and solid seike wood with a natural oil finish, laminated bronze or stainless steel base and hardware.
The first Perfidia collection, composed of 4 pieces of furniture, explores the mutualism between
artisan techniques and industrialized manufacturing methods. It is an investigation into
the relationship between crafts and automated processes that seeks to highlight the natural
characteristics of each method and material. The furniture has been developed through a dialogue
between the artisan and innovation, maintaining the inherence of the process and its manual
strokes. To paraphrase the Mexican writer Octavio Paz: “between the timeless time of the museum,
and the accelerated time of the machine, these pieces palpitate human time.”
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